Beyonce Speaks On Being Exposed For STEALING From Black Artists: She wasn’t fair to Destiny’s Child either 

Y’all, not Beyonce being exposed yet again, for stealing from black artists! This seems to be a recurring theme with Beyonce whenever she drops new music, and at this point, it’s getting harder and harder to ignore what people are saying about her.

She has been caught red-handed in the past straight-up lying about song credits, but this time, it’s way worse, because song-writer, Tiffany Red, just came out to expose Beyonce of stealing up to 30% of royalties from songwriters who work for her. It’s super messy, because Beyonce is finally responding to the allegations, and y’all won’t believe how she is handling this mess.

Unveiling Allegations of Songwriting Controversies Surrounding Beyoncé

In recent developments, Beyoncé finds herself at the center of controversy as allegations of unfair business practices and songwriting disputes have surfaced. Songwriter Tiffany Red has come forward, shedding light on the singer’s alleged involvement in taking a significant portion of royalties from the songwriters who contribute to her projects.

The accusations suggest that Beyoncé not only claims an undue share of publishing royalties but also takes credit for songs she didn’t write. Tiffany Red, in a live video, accused Beyoncé of employing Non-Disclosure Agreements (NDAs) to silence those who work with her, preventing them from speaking out about their experiences.

The controversy extends beyond recent revelations, as Beyoncé has faced similar accusations in the past. The release of “Renaissance Act One” in 2022 was marred by disputes with artists such as Azealia Banks, Robin S, and Kelis. Azealia Banks criticized Beyoncé for venturing into house music instead of sticking to R&B, while Robin S discovered that her song “Show Me Love” had been sampled without prior notice. Despite a public gesture with flowers, their relationship seemed strained.

Kelis accused Beyoncé of not giving her a heads-up about sampling her hit song “Milkshake” on the track “Energy.” Although legally Beyoncé had the right to use the sample, Kelis expressed disappointment in the lack of professional courtesy.

The recent controversy surrounding “Renaissance Act Two” involves Tiffany Red’s claim that a song was written six years before reaching Beyoncé, with the singer reportedly taking 25% of the song. Tiffany Red further highlighted the challenging landscape for songwriters in the modern music industry, where publishing royalties have significantly diminished.

Beyoncé’s response to these allegations remains a topic of discussion. Supporters argue that artists have the right to make business decisions, while critics emphasize the importance of fair treatment and crediting collaborators appropriately. Tiffany Red’s revelations have sparked conversations about the ethical considerations in the music industry, especially concerning the treatment of black artists.

In response to the accusations, an insider claims that Beyoncé is unbothered, believing she did nothing wrong. The argument suggests that songwriters willingly signed NDAs, aware of the conditions, and made their choices freely.

Fans have expressed mixed reactions, with some defending Beyoncé, citing the challenges of discerning truth from clout-chasing. Others believe that the pattern of accusations raises valid concerns about the treatment of artists within the industry.

As the controversy unfolds, it prompts broader discussions about the power dynamics, transparency, and ethical practices in the music business. Beyoncé’s legacy as an influential artist is now intertwined with questions about fairness, credit, and the treatment of fellow musicians. The outcome of these discussions may shape the future discourse surrounding the intersection of artistry and business practices in the music industry.