Beyonce gets CALLED OUT for STEALING from other songwriters? Artist Tiffany Red EXPOSES everything: “We don’t just want to watch you be rich. How is that free?” 

Last year, I met someone personally who has written for Beyoncé a few years ago. They were never paid and what they wrote was never used for the planned project and she was unable to retain the music she wrote. Beyoncé’s song writing camps are apparently sweatshops were everyone is working overtime for free dying for a chance to get chosen it’s actually very sad. They do not get paid unless the song gets used, you are not provided with food travel or anything. They expect people to initially work for free off of the strength of Beyoncé’s name and then if your song is chosen she will chop the publishing/ royalty’s highly in her favour.

The person I knew was heart broken because Beyoncé wanted to a new type of an American national anthem song written for her and the song writer put her heart and soul in to the lyrics all for it to be scrapped and she can’t keep the song she wrote and release it herself as it’s Beyoncé’s property… also bearing in mind Beyoncé’s camp will seek out and approach songwriters for the opportunity to be used and ripped off so it makes sense with Tiffany stating that in the end many writers just let Beyoncé take their royalty’s / publishing as they should be ‘honoured’ to have been approached rather than negotiate their weight and gold.

I think B is talented but this worship and pedestalisation as if she is god like when she is just as bad as the other evil people in the top 1% that see human as profitable cattle. You don’t get to be a Uber successful mogul like Jay Z without stepping on many heads, souls and dreams to get and remain at the top. Glad this woman is speaking out but she’s probably black balled herself now hopefully she starts the movement

In recent statements, Tiffany Red has raised concerns about Beyoncé’s treatment of songwriters, shedding light on what she perceives as unfair practices within the music industry. Red argues that the landscape of the music industry has evolved significantly since Beyoncé’s early days, and songwriters now heavily rely on publishing income, which has diminished over time.

According to Red, if songwriters are not involved in writing the single, they may not generate substantial income. She emphasizes that every percentage of publishing matters to songwriters, especially in an industry where earnings from publishing have significantly decreased. Despite these challenges, Red claims that Beyoncé continues to take a substantial portion of publishing rights from songwriters.

Tiffany Red criticizes Beyoncé for not modernizing her business practices and paying songwriters a livable wage. She argues that it is not too much to ask for a figure as influential as Beyoncé to adapt to the changing dynamics of the music industry and support the livelihood of songwriters.

Red shares her personal experience, mentioning the lyrics of Beyoncé’s songs that bothered her, such as “My Power” and “Freedom,” reflecting on the discrepancy between the empowering lyrics and the alleged exploitation of songwriters. She suggests that while Beyoncé becomes more famous and financially successful, many of the songwriters contributing to her success may not have much to show for their efforts.

Furthermore, Red alleges that Beyoncé’s team enforces non-disclosure agreements (NDAs) to silence people, creating a culture of fear and preventing individuals from speaking out about their experiences. Red asserts that negotiating with Beyoncé and her team is not easy due to the existing power dynamic, making it challenging for songwriters to secure fair deals.

As someone who has turned down opportunities to work with Beyoncé, Tiffany Red expresses her refusal to participate in what she perceives as exploitative practices within the industry. She highlights the power dynamics at play, where Beyoncé, as an employer, sets the terms that may not be negotiable.

In conclusion, Tiffany Red’s statements shed light on the complexities and challenges faced by songwriters in dealing with major artists like Beyoncé. Red urges for a more equitable system within the music industry, where songwriters can receive fair compensation for their contributions, even when working with high-profile artists like Queen Bey.