Oprah SLAMS Katt Williams For Exposing Her Sick Agenda… Puts Out A Hit On Him?

So it looks like Katt is starting to rub Oprah the wrong way, because she is now breaking her silence on him, and dragging him for filth for talking about her.

In case y’all missed it, Oprah has been spilling tea and exposing some embarrassing and kings illegal activities that Oprah has been in, and it seems like she has had it to here with him and she is ready to come at Katt Williams for all the accusations he has spread about her, and if y’all know Oprah, you know that she does NOT play when it comes to stuff like this.

So uhh… did she really put a hit out on Katt?

It seems like Cat Williams is on a mission to expose Oprah Winfrey for alleged unethical behavior in the entertainment industry. According to Williams, Oprah has been manipulating and controlling black artists, using her influence to serve the interests of Hollywood elites. He claims that Oprah, despite her public image as a champion for black rights and a philanthropist, has a history of mistreating black artists and suppressing their voices.

One major accusation involves Oprah’s alleged role as a “Handler” for Hollywood elites, controlling black artists and helping the industry elites maintain influence. Williams suggests that Oprah uses her show to run agendas against black artists, setting them up for failure without any apparent reason.

The controversy extends to Oprah’s association with individuals accused of serious crimes. Williams points out her close ties to Harvey Weinstein and Jeffrey Epstein, both of whom faced allegations of $exual misconduct. He accuses Oprah of hypocrisy for advocating awareness about $exual assault while maintaining connections with individuals involved in such activities.

Furthermore, Williams claims that Oprah silenced artists who attempted to speak up against her, citing Ludacris’ experience during an interview on her show. According to Williams, Oprah allegedly worked against black artists behind the scenes, contradicting her public image of supporting them.

The narrative also touches on Oprah’s involvement in controversies surrounding Michael Jackson, where she was accused of trying to tarnish his legacy after his death. Williams emphasizes how Michael Jackson played a significant role in Oprah’s success by granting her a crucial interview in 1993.

The expose extends to Oprah’s treatment of actresses like Taraji P. Henson and Mo’Nique. Williams alleges that Oprah blacklisted Mo’Nique after the success of the movie “Precious,” claiming that Oprah and Tyler Perry spread rumors about her being difficult to work with. Similarly, Williams suggests that Oprah pressured Taraji P. Henson into defending her publicly when Henson spoke out about being underpaid in the industry.

In the midst of these allegations, other prominent figures, including 50 Cent and Gabrielle Union, have expressed support for Taraji P. Henson and criticized Oprah for her actions. Williams concludes by painting a picture of Oprah as someone who prioritizes her own interests and maintains relationships with controversial figures while claiming to be an advocate for justice and awareness.

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